Orientador: Maria Stella Martins Bresciani / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-10T11:12:51Z (GMT). No. of bitstreams: 1 TorraoFilho_Amilcar_D.pdf: 1225925 bytes, checksum: 4497f24406b1bf2a43f2c05b3664ac7b (MD5) Previous issue date: 2008 / Resumo: Este trabalho tem como objetivo rever algumas imagens da cidade luso-brasileira nas narrativas de viagem de autores franceses e britânicos, que foram muitas vezes incorporadas pela historiografia. Procuro em algumas definições do gênero literatura de viagem, maneiras de compreender como se formam as imagens conceituais sobre a cidade brasileira e como o espaço urbano serve, neste período, como um espelho da alteridade entre a Europa ¿civilizada¿ e ¿polida¿ e os territórios de administração ou origem portuguesa, considerados decadentes e ¿bárbaros¿, no período de superação dos vínculos coloniais e de criação do Estado Nacional brasileiro. Meu objetivo não é reconstituir uma suposta ¿realidade¿ das cidades, como elas eram quando visitadas por estes viajantes, mas verificar como questões retóricas, de estilo e teorias prévias, trazidas em suas bagagens, condicionam a descrição das experiências do mundo tangível / Abstract: The goal of my work is to provide a review of images of the Luso-Brazilian cities that were often incorporated by historiography in the narratives of French and British authors. From the travel literature genre, I investigate ways to understand how conceptual images about the Brazilian cities and the urban space for the period of 1783 through 1844 serve as a mirror of the differences between the ¿civilized¿ and ¿refined¿ Europe and the territories of Portuguese administration or origin, which were considered as decadents and ¿barbarians¿ during the period of surpass of colonial ties and the creation of the Brazilian National State. Rather than to reconstruct a supposed ¿reality¿ of the cities or how they were when visited by the travelers of the period, my objective is to verify how rhetorical questions of style and previous theories as represented by the contents brought within the traveler¿s luggage affect the description of the experiences of the tangible world / Doutorado / Historia Cultural / Doutor em História

梁志華. / 論文 (哲學碩士)--香港中文大學, 1999. / 參考文獻 (leaves 265-293). / 附中英文摘要. / Liang Zhihua. / Lun wen (zhe xue shuo shi)-- Xianggang Zhong wen da xue, 1999. / Can kao wen xian (leaves 265-293). / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 引言 --- p.1 / Chapter 第一節： --- 研究動機、方法與範圍 --- p.1 / Chapter 第二節： --- 也斯簡介 --- p.4 / Chapter 第三節： --- 也斯詩文評論中的都市 --- p.6 / Chapter 第四節： --- 也斯小說中的都市 --- p.17 / Chapter 第五節： --- 小結 --- p.23 / Chapter 第二章 --- 研究綜述 --- p.24 / Chapter 第一節： --- 也斯小說研究綜述 --- p.24 / Chapter 第二節： --- 《剪紙》研究综述 --- p.29 / Chapter 第三節： --- 《煩惱娃娃的旅程》研究综述 --- p.34 / Chapter 第四節： --- 小結：以「都市」為中心的研究角度 --- p.43 / Chapter 第三章 --- 都市生活與文化空間理論概述 --- p.44 / Chapter 第一節： --- 小引 --- p.44 / Chapter 第二節： --- 都市生活形態簡釋 --- p.45 / Chapter 一、 --- 社會學和文學中的「都市」形象 / Chapter 二、 --- 現代都市生活形態特色 / Chapter 三、 --- 後現代社會中的都市文化 / Chapter 第三節： --- 「文化空間」概述 --- p.60 / Chapter 一、 --- 「文化空間」簡釋 / Chapter 二、 --- 學者對香港「都市」和「文化空間」的看法 / Chapter 三、 --- 也斯對香港「都市」、「都市文化」與「文化空間」的意見 / Chapter 第四節： --- 小結 --- p.71 / Chapter 第四章 --- 《剪紙》：對都市生活幻象的質疑 --- p.72 / Chapter 第一節： --- 小引 --- p.72 / Chapter 第二節： --- 都市西化生活的幻象 --- p.77 / Chapter 一、 --- 西化生活的表象 / Chapter 二、 --- 都市西化生活背後的空虛和孤獨 / Chapter 三、 --- 都市人際關係疏離，溝通的嘗試與失落 / Chapter 第三節： --- 對「虛擬傳統」的追尋 --- p.86 / Chapter 一、 --- 對「傳統」追尋的嘗試 / Chapter 二、 --- 「傳統」的虛幻與真實 / Chapter 第四節： --- 對香港文化身份的思考 --- p.94 / Chapter 一、 --- 對身份的懷疑與否認 / Chapter 二、 --- 角色的扮演與身份的尋找 / Chapter 三、 --- 重像與香港文化身份的追尋 / Chapter 第五節： --- 傳播媒介的虛妄與真實 --- p.103 / Chapter 一、 --- 對傳播媒介的質疑 / Chapter 二、 --- 對報刊專欄文字的懷疑與肯定 / Chapter 第六節： --- 都市生活的幻象與魔幻手法的借用 --- p.110 / Chapter 一、 --- 也斯對魔幻現實主義的譯介 / Chapter 二、 --- 《剪紙》中魔幻現實主義的應用 / Chapter 第七節： --- 小結 --- p.119 / Chapter 第五章 --- 《煩惱娃娃的旅程》：都市文化空間的追尋 --- p.120 / Chapter 第一節： --- 小引 --- p.120 / Chapter 第二節： --- 「現實的旅程」：「我」所走過的都市 --- p.123 / Chapter 一、 --- 繁華都市中的孤獨 / Chapter 二、 --- 從外國都市回到香港經驗 / Chapter 第三節： --- 「記憶的旅程」：「我」所經歷的香港 --- p.130 / Chapter 一、 --- 受到壓抑的香港歷史 / Chapter 二、 --- 個人成長過程的回溯 / Chapter 第四節： --- 「內心的旅程」：「我」對都市「文化空間」的尋找 --- p.138 / Chapter 一、 --- 打破外國都市的「刻板印象」 / Chapter 二、 --- 對「後現代」都市文化形態的反省 / Chapter 三、 --- 對外國「文化空間」的關注和思考 / Chapter 四、 --- 都市理想文化空間的尋覓 / Chapter 第五節： --- 「文字的旅程」：「我」對香港「文化空間」的反省 --- p.154 / Chapter 一、 --- 打破香港的「刻板印象」 / Chapter 二、 --- 開放而包容的文化空間 / Chapter 三、 --- 封閉而排他的文化空間 / Chapter 第六節： --- 「旅程」與「都市」的交錯與重疊 --- p.168 / Chapter 一、 --- 意象交疊 / Chapter 二、 --- 受敘者身份的游移 / Chapter 第七節： --- 小結 --- p.175 / Chapter 第六章 --- 餘論及結語 --- p.176 / Chapter 第一節： --- 小引 --- p.176 / Chapter 第二節： --- 《剪紙》、《煩惱娃娃的旅程》與香港、 都市與文化的對話 --- p.177 / Chapter 第三節： --- 《剪紙》、《煩惱娃娃的旅程》與其他作品的對話 --- p.181 / Chapter 一、 --- 《剪紙》與魔幻現實主義的對話 / Chapter 二、 --- 《煩惱娃娃的旅程》與《看（不）見的城市》的對話 / Chapter 第四節： --- 結語 --- p.185 / 附錄 / 附錄（一）：《煩惱娃娃的旅程》統計表十二個 --- p.187 / 附錄（二）：也斯小說編年表 --- p.259 / 參考書目 --- p.265

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-07-18T12:04:53Z No. of bitstreams: 1 Gabriela Ribeiro Martins Neta.pdf: 19016907 bytes, checksum: 060d9d51d8698510d4b9400b2074550b (MD5) / Made available in DSpace on 2017-07-18T12:04:53Z (GMT). No. of bitstreams: 1 Gabriela Ribeiro Martins Neta.pdf: 19016907 bytes, checksum: 060d9d51d8698510d4b9400b2074550b (MD5) Previous issue date: 2017-06-29 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This study aims an analysis of the work of Ricardo Chacal considering the relationship between the poetic form and the representation of the city, established in the author’s poetry. This selection was imposed from the reading of Chacal’s complete poetry, a long-living work. One evidenced that the city and the relations with the urban space appear as a possible outliner of his search for an artistic expression. From this perception the hypothesis arose that the several faces of the city makes a promising interpretive entrance of his poetry, forming a trail of understanding of a work that begins in the decade of 1970 and continues until the current days. How that dialogue with the metropolis is built and in what measure it determines the linguistic materiality of the poetry of Chacal were the questions that propelled this study. The corpus of the research is composed of twelve poems: “Hóspede do planeta ” (1972), “Jazidas de titânio em Mato Grosso” (1975), “Na jaula do aparelho” (1983), “A coisa e o nome” (2002), “À rua” (2002), “Cidade” (2002), “Mameluco” (2002), “Ruas” (2002), “CEP 20.000” (2002), “SPO3MA” (2007), “New York” (2007) e “Edificações” (2012). To develop this work, we based ourselves on texts of Viktor Chklovski, Octavio Paz and Viviana Bosi about the poetics; Fernanda Medeiros concerning the Chacal’s critical fortune end poetics; and Renato Cordeiro Gomes about literature and city. This dissertation is divided into three chapters: the first one focuses on the relationship between poetry and city; the second brings artistic references that make up the aesthetic project of the poet; and the third is intended to analyze the corpus / Este estudo propõe uma análise da obra de Ricardo Chacal em torno da correspondência entre a forma poética e a representação da cidade, presente na poesia do autor. Tal recorte impôs-se a partir da leitura das poesias completas, obra intensa e longeva. Constatou-se que a cidade e as relações com o espaço urbano surgem como um possível delineador de sua busca por uma expressão artística. A partir dessa percepção, levantou-se a hipótese de que as várias faces da cidade constituem uma promissora entrada interpretativa de sua poesia, formando uma trilha de entendimento de uma obra que se inicia na década de 1970 e continua até os dias atuais. Como esse diálogo com a metrópole é construído e em que medida ele determina a materialidade poética da poesia de Chacal foram as questões que impulsionaram este estudo. O corpus da pesquisa está composto por doze poemas: “Hóspede do planeta ” (1972), “Jazidas de titânio em Mato Grosso” (1975), “Na jaula do aparelho” (1983), “A coisa e o nome” (2002), “À rua” (2002), “Cidade” (2002), “Mameluco” (2002), “Ruas” (2002), “CEP 20.000” (2002), “SPO3MA” (2007), “New York” (2007) e “Edificações” (2012). Para desenvolver este trabalho, nos apoiamos principalmente, mas não apenas, em textos de Viktor Chklowski, Octavio Paz e Viviana Bosi para discutir a poética; Fernanda Medeiros, no que diz respeito à fortuna crítica e à poética de Chacal; e Renato Cordeiro Gomes sobre literatura e cidade. A dissertação está dividida em três capítulos: o primeiro foca a relação entre poesia e cidade; o segundo traz referências artísticas que compõem o projeto estético do poeta; o terceiro é destinado à análise do corpus

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Gogol, Dostoevsky and Bely are three Russian novelists, most of whose writings are set in the city of St. Petersburg, and whose feelings for their city were a bizarre mixture of love and hatred. / This dissertation is divided into four chapters, the first of which is a survey of the attitudes held by the literary predecessors and contemporaries of Gogol, Dostoevsky and Bely toward St. Petersburg, and a discussion of the influence of the French feuilletons on the nineteenth-century Russian urban novel. The second chapter is an investigation of the overall image of the city as presented to the reader by the three writers. The predominantly tragic fate of the novelists' heroes is discussed in the third chapter. The final chapter is a study of six major recurrent themes which link the urban novels of Gogol, Dostoevsky and Bely.

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Originally presented as the author's Thesis (doctoral--Freiburg i. Br., 1989) under the title: Fragmented images. / Includes bibliographical references (p. [337]-357) and index.

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