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Previous issue date: 2014-03-14 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This dissertation aims to look into the structure of the event Circuito Regional de Performance BodeArte1 to think how it collaborate with its proposal providing theoretical points to relevant questions to the comprehension of Brazilian performance art in contemporaneity, since its conceptual format until its occurrence and practical limitations. From this proposition the dissertation is organized into three chapters guided for the following aspects: the resumption of the events encompassed on the occurrence of Circuit BodeArte as well as a tabulation of the data reunited in its history, the presentation of its conceptual choices, and the metaphors conducted by the use of the term performance and how they can lead us to the idea of a performance-as-BodeArte. The methodological structures moved for this organization are qualitative, and have been formed from printed materials, texts, festival programs, blog, videos, photos, interviews, lectures and forums, plus our own memory as a producer and performer of the event, looking through these set points of the epistemological organization contained on the proposal of the Circuito, expanding and discussing them. This way this research moves between the propositions of this event in its three editions, promoting discussions that dialogue with concepts such as the emergence of Steve Johnson (2004), the metaphors of thought proposed by Christine Greiner (2005), the idea of performance hacker of Maria Beatriz de Medeiros (AQUINO, et al., 2012), as well as other propositions presented by Jan Swidzinski (2005) and Eleonora Fabi?o (2012) / Esta disserta??o tem por objetivo voltar-se ? estrutura do evento Circuito Regional de Performance BodeArte, para pensar, desde seu formato conceitual at? seu acontecimento e limita??es pr?ticas, como ele em sua proposta aponta quest?es relevantes para a compreens?o da performance brasileira na contemporaneidade. A partir desta proposi??o, a disserta??o organiza-se em tr?s cap?tulos pautados nos seguintes aspectos: a retomada dos acontecimentos e dados reunidos na ocorr?ncia do Circuito BodeArte, a apresenta??o de suas escolhas conceituais, e as met?foras conduzidas pelo uso do termo performance e como elas podem nos conduzir a ideia de uma performance-como-BodeArte. As estruturas metodol?gicas para tanto s?o de car?ter qualitativo, e tomam como base materiais impressos, textos, programas, blog, v?deos, fotografias, entrevistas, palestras e f?runs, al?m de nossa pr?pria mem?ria como produtor e performer do evento, procurando atrav?s destes estabelecer pontos de organiza??o epistemol?gica da proposta do Circuito, ampliando-os e discutindo-os. Deste modo esta pesquisa desloca-se pelas proposi??es do evento em suas tr?s edi??es, promovendo discuss?es que interpelam e dialogam com conceitos como a emerg?ncia de Steve Johnson (2004), as met?foras do pensamento de Christine Greiner, a ideia de performance hacker de Maria Beatriz de Medeiros (AQUINO, et al., 2012), assim como outras proposi??es lan?adas por Jan Swidzinski (2005) e Eleonora Fabi?o (2012)
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/12463 |
| Date | 14 March 2014 |
| Creators | Bezerra, Andre Luiz Rodrigues |
| Contributors | CPF:06335743841, http://lattes.cnpq.br/6380609562860913, Ara?jo, Jos? S?vio Oliveira de, CPF:24525057572, http://lattes.cnpq.br/5026604704788382, Ciotti, Naira Neide |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Artes C?nicas, UFRN, BR, LINGUAGENS DA CENA E PEDAGOGIAS DA CENA |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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