The dynamic nature of drama is reflected in the inherent dichotomous composition of text and performance. The continuing controversy about the infrequent public performances of the almost 250 published texts in African languages and the literary approach towards Northern Sotho texts have prompted the present survey. Two main reasons are identified for the existing textual centricity in the approach towards Northern Sotho dramas, namely text-external and text-internal factors. The latter forms the main focus of attention in this study. The role of the didascalies as semiotic sign-system - referring to all aspects of the dramatic text which contain instructions
for a potential performance - are investigated. The scrutiny of the stage directions afforded an unequalled vantage point in revealing the ostensive or performance nature of the three dramas by M.S. Serudu.
In conclusion possible solutions for the future are offered against the background of the findings arrived at in the analysis. / African Languages / M.A. (African Languages)
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:unisa/oai:uir.unisa.ac.za:10500/16259 |
| Date | 11 1900 |
| Creators | Van der Merwe, A. P. (Anna Petronella) |
| Contributors | Swanepoel, C. F., Serudu, S. Maje |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Dissertation |
| Format | 1 online resource (iv, 255 leaves) |
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