This dissertation explores the connection between the sculpture of Modena Cathedral, with emphasis on the Porta della Pescheria, the Porta dei Principi, and the West Facade, and the historical and cultural conditions of its conception and creation.
Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/D80K28S8 |
Date | January 1992 |
Creators | Fox-Friedman, Jeanne |
Source Sets | Columbia University |
Language | English |
Detected Language | English |
Type | Theses |
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