This thesis reviews the background, influences, and evolution of three works that form Posthumous, an exhibit by the thesis candidate. The thesis begins with a series of vignettes that relate a number of personal experiences involving death, and photography, which have influenced the conceptual development of the work. Chapters devoted to each piece follow the vignettes. These chapters refer to the various influences that have led to the development of the following works: Obit to Self: April 10, 2005, Posthumous, and Jay. These influences range from the movie Hotel Rwanda, to handbills for punk-rock shows. The thesis ends with a description of the exhibition at the Anderson Gallery.
Identifer | oai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-1650 |
Date | 01 January 2005 |
Creators | Lease, Michael K |
Publisher | VCU Scholars Compass |
Source Sets | Virginia Commonwealth University |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | Theses and Dissertations |
Rights | © The Author |
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