<p>The longstanding relationship between honour and violence has obvious martial and chivalric overtones. The prevalence of the duel in early modern England points to the developing performativity and growing symbolic meaning of violence during the period, a codified violence that relied heavily on hierarchical guidelines. The duel helped to stabilize social notions of rank and masculinity, and became a means of culturally validating masculinity and reifying honour codes. This thesis frames a study of violence and its relationship to honour and masculine identity through analysis of dramatized scenes involving masculine honour in three of Shakespeare’s plays – <em>Twelfth Night</em>, <em>Henry V</em>, and <em>Hamlet</em> – with a concurrent investigation of contemporary policies and essays on civility and honour. I examine instances of public violence that directly relate to private or personal concepts of honour, as well as the ways in which honour is conceived of and transmitted both linearly, through generations, and horizontally through discourses of national or social honour to one’s duty. This study contributes to a sense of honour as a dynamic and omnipresent discourse in the early modern era, one that structured and dictated the lives of the Elizabethan aristocracy.</p> / Master of Arts (MA)
| Identifer | oai:union.ndltd.org:mcmaster.ca/oai:macsphere.mcmaster.ca:11375/13541 |
| Date | 10 1900 |
| Creators | Verleyen, Claire E. |
| Contributors | Silcox, Mary, Grisé, Cathy, Gough, Melinda, English |
| Source Sets | McMaster University |
| Detected Language | English |
| Type | thesis |
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