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Previous issue date: 2016-04-29 / Esta pesquisa ? produto de uma reflex?o te?rica sobre a obra dramat?rgica do escritor russo Nikolai G?gol e os modos pelos quais as suas experi?ncias iniciais e o contexto hist?rico foram determinantes, n?o apenas para constru??o de uma identidade no seu trabalho como autor, mas tamb?m, para as diferentes formas de concep??o e constru??o da obra dram?tica que surgem no contexto do teatro moderno. O trabalho se det?m ? an?lise da trilogia metadramat?rgica gogoliana que compreende as seguintes pe?as: O inspetor geral (1836), ? sa?da do teatro depois da representa??o de uma nova com?dia (1842) e Desenlace de O inspetor geral (1846). Dessa forma, s?o de interesse particular para esse trabalho, os conceitos de metadramaturgia e escrita perform?tica, os quais ser?o basilares para a an?lise da obra do dramaturgo. O estudo sobre a metadramaturgia ser? trabalhado a partir da an?lise da metalinguagem e do metateatro para que, assim, possamos compreender como se estrutura a ideia de metadramaturgia e como esse conceito pode ser utilizado na an?lise de obras dramat?rgicas. O conceito de escrita perform?tica compreende o estudo da obra a partir do vi?s performativo, ao entender o autor e o leitor/espectador como protagonistas desta rela??o. A partir dos estudos desses dois conceitos, de metadramaturgia e de escrita perform?tica, poder-se-? compreender, mais profundamente, os diferentes aspectos da obra do autor, principalmente, no que se refere ? atualidade de sua escrita. / This research is a result of a theoretical reflection about on the work of Russian writer
dramaturgical Nikolai G?gol and the ways in which his initial experiments were crucial not
only on what concerns the building of own work identity, but also the construction of the
various forms of conception and creation of work dramaturgical and the way they have
influenced modern theatre. The work holds the analysis of gogoliana metadramaturgical
trilogy and comprising the following plays: The inspector general (1836), Leaving the theater
after the performance of a new comedy (1842) and Denouement of The inspector general
(1846). As such, are of particular interest to this work, the concepts of metadramaturgy and
writing performatic are fundamental to the analysis of the playwright's work. The study on
metadramaturgy will be worked from the analysis of de metalanguage and metatheatre so that
we can understand how to structure the idea of metadramaturgy and how this concept can be
used in the analysis of dramaturgical works. The idea of writing performatic includes the
study of the work from the performative bias, to understand the author and the reader/viewer
as protagonists of this relationship. From the studies of these two concepts, metadramaturgy
and writing performatic, shall be able to understand more deeply the different aspects of the
author's work, particularly in terms of past the relevance of his writing.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/21538 |
| Date | 29 April 2016 |
| Creators | Seixas, Rebeka Caro?a |
| Contributors | 88475190472, Cavalcante, Ilane Ferreira, 65386337491, Dias, Luciana da Costa, 07723216718, Barbosa, Marcio Venicio, 52327159687, Lima, Maria Hozanete Alves de, 93098898453, Cavalcante, Alex Beigui de Paiva |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM ESTUDOS DA LINGUAGEM, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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