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Practical Considerations for Euphonium Players Doubling on Tuba

There is currently a great deal of information available to euphonium players who double on trombone, but far less for euphonium players who double on tuba. This dissertation takes information gathered from many top euphonium/tuba doublers, including: Benjamin Pierce, D.M.A., Aaron Tindall, D.M.A., Gail Robertson, D.M.A., Gretchen Renshaw James, D.M.A., Matthew Murchison, D.M.A., Matthew Shipes, D.M.A., Matthew Tropman, D.M.A., and Keith Kile, and presents a synopsis of their thoughts/reflections on tuba doubling. This dissertation is designed to aide euphonium players in the process of learning tuba, enabling them to be as efficient as possible with both their time and money throughout the process. Topics covered include: difficulties unique to the euphonium/tuba double and approaches to overcome them, similarities and differences between euphonium and tuba playing (from the perspective of euphonium/tuba doublers), "reverse" benefits of euphonium/tuba doubling on the primary instrument, literature recommendations for euphonium/tuba doublers, and equipment considerations for euphonium/tuba doublers.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1505278
Date05 1900
CreatorsKenney, Vince
ContributorsBowman, Brian, 1946-, Childs, David, Little, Donald C., Itkin, David
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formativ, 56 pages, Text
RightsPublic, Kenney, Vince, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.
RelationRecital: April 11, 2015, ark:/67531/metadc1075224, Recital: April 25, 2016, ark:/67531/metadc1614982, Recital: November 1, 2016, not yet digitized, Lecture: October 29, 2018, not yet digitized

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