This study is a discursive analysis of the representation of the person Erika Girardi within the Reality TV show The Real Housewives of Beverly Hills. With a theoretical perspective anchored within Judith Butler’s (1999) theory of performativity and Beverley Skeggs (2000) research of class within feminism. The aim is to find how Erika Girardi is discursively portrayed within the series as well as finding and analyzing the various subject positions found within the material. The results are presented as eight different subject positions; Housewife, Showgirl, Gold Digger, Southern Mother, Bad Bitch, Daughter,Empowered Woman and Good Friend. These positions are then decoded into the various signs which build these up as well as the nodal points which are further found within the discourse of the selected episodes.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:mau-42514 |
| Date | January 2021 |
| Creators | Soyege, Natalie, Nilsson, Sofia |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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