Cécile Chaminade (1857-1944) was a remarkably successful French composer and pianist for a woman in the early part of her career, although her reputation waned rapidly after her death. Concertstück (1888), a single movement for piano and orchestra, was her only work in this medium. It requires many traditional piano skills and therefore can serve admirably as a comprehensive technical and artistic study. This dissertation includes a formal analysis of this piece, a discussion of each type of specific piano technique it requires, and practice suggestions.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1707231 |
| Date | 08 1900 |
| Creators | Zhuang, Yuan (Pianist) |
| Contributors | Viardo, Vladimir, 1949-, Harlos, Steven, 1953-, Beckman, Bradley |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | viii, 37 pages : illustrations, music, Text |
| Rights | Public, Zhuang, Yuan (Pianist), Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Recital: April 18, 2017, not yet digitized, Recital: April 2, 2018, not yet digitized, Recital: November 2, 2018, not yet digitized, Recital: April 4, 2019, not yet digitized |
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