Renaissance and Baroque drama offers a view into gender dynamics of the
time. What is seen is a development in the allowed expression and manifestation of
desire by females, beginning from a point of near silence, and arriving at points of
verbal statement and even physical violence. Specifically, in La Mandragola by
Niccolò Machiavelli, Romeo and Juliet by William Shakespeare, and Fuenteovejuna
by Lope de Vega, there appears a chronological progression, whereby using desire
and its expression as a metric in conjunction with modern concepts of gender and
sexuality to measure a shift in relation to what is and is not allowed to be expressed
by women. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection
| Identifer | oai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_33732 |
| Contributors | Baccinelli, Mitchel (author), Conrod, Frédéric (Thesis advisor), Florida Atlantic University (Degree grantor), Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Lingustics and Comparative Literature |
| Publisher | Florida Atlantic University |
| Source Sets | Florida Atlantic University |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation, Text |
| Format | 88 p., application/pdf |
| Rights | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder., http://rightsstatements.org/vocab/InC/1.0/ |
Page generated in 0.0093 seconds