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Myths of the body : performing identity in Genet

The issue of sexual and racial identity unfolds in a paradoxical light in Genet's works. Identity as a fixed essence is both deconstructed and maintained. His enigmatic portrayal of identity is addressed from a theoretical perspective which combines seemingly contradictory positions, namely essentialism and deconstruction. Such a theoretical stand claims that although identity categories are not fixed essences and consequently can be deconstructed, they must be maintained as political categories in order to deal with oppressive systems which construct essentialist-based identities. Through Genet's presentation of identity as a body performance, race and sex are deconstructed. At the same time, he illustrates how male dominance and racism maintain identities as fixed categories.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.56642
Date January 1992
CreatorsPietrobruno, Sheenagh
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Comparative Literature Program.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 001312713, proquestno: AAIMM80416, Theses scanned by UMI/ProQuest.

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