This dissertation examines architectural engagements with communication technologies, within the framework of mid-twentieth-century efforts to institute a global community and engineer media democracies. I interrogate the sound modernities that architects constructed in collaboration with engineers, officials, and acousticians, and I demonstrate the architectural strategies that informed them: the theater, the concert hall, the cinema. These interiors, I argue, reconfigured the international community as a networked audience, and the institutions of world organization as the main stages of international diplomacy.
| Identifer | oai:union.ndltd.org:harvard.edu/oai:dash.harvard.edu:1/12274517 |
| Date | January 2014 |
| Creators | Touloumi, Olga |
| Contributors | Picon, Antoine |
| Publisher | Harvard University |
| Source Sets | Harvard University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Rights | closed access |
Page generated in 0.0019 seconds