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Machina ex deo: embodiments of evil in Dan Simmon's Hyperion Cantos

Dan Simmons's far-future science fiction epic Hyperion Cantos, in which seven disparate individuals become enmeshed in a convoluted plot to enslave humanity, provides extensive support for British theologian John Hick's theory of transcendental pluralism. Using the central figures of the Shrike, a mysterious killing machine, and the Technocore, a collective of autonomous artificial intelligences, Simmons demonstrates Hick's postulation that all major Western religions actually focus on the same divine being (God) by creating a negative divine being, akin to Satan, to which characters of various religions react in similar ways. Simmons's pilgrims each represent a particular spiritual outlook, from specific organized religions to less-defined positions such as secularism and agnosticism, but each pilgrim's tale contributes to the evidence of transcendental pluralism. This thesis explores each characters' experiences as they relate to the Shrike, the Technocore, and, ultimately the theory of transcendental pluralism. / by Zachary Stewart. / Thesis (M.A.)--Florida Atlantic University, 2013. / Includes bibliography. / Mode of access: World Wide Web. / System requirements: Adobe Reader.

Identiferoai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_4155
ContributorsStewart, Zachary., Dorothy F. Schmidt College of Arts and Letters, Department of English
PublisherFlorida Atlantic University
Source SetsFlorida Atlantic University
LanguageEnglish
Detected LanguageEnglish
TypeText, Electronic Thesis or Dissertation
Formatv, 85 p. : ill. (some col.), electronic
Rightshttp://rightsstatements.org/vocab/InC/1.0/

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