This dissertation project examines the Ghanaian state's role in developing a heritage tourism industry that actively manipulates commemorative practices surrounding the legacy of the slave trade to redefine and institutionalize the ambiguous relationship Ghana holds with communities of African descent abroad. Developed in response to the renewed interest in African ancestry following the 1976 release of Alex Haley's novel Roots and its popular television adaptation, Ghana and other states in the region have since sought to incorporate African-Americans into their economic planning by providing them with opportunities to recover their lost heritage through tourism experiences. Not limited to the creation of heritage sites, monuments and museums dedicated to the legacy of slavery and dispersal from Africa, these states have also tailored investment opportunities to reflect a renewed spirit of Pan-Africanism and validate African-Americans' membership within a re-envisioned diasporic African community.
| Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/D8N02PJ4 |
| Date | January 2018 |
| Creators | McKinney, Warren Thomas |
| Source Sets | Columbia University |
| Language | English |
| Detected Language | English |
| Type | Theses |
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