In this essay the author analyses four works in the historical fiction genre: George Shipways’ Imperial Governor (1968), Lindsay Davis’ The Silver Pigs (1989), Simon Scarrow’s The Eagle’s Conquest (2001), and Adrian Goldsworthy’s Vindolanda (2017). All these works feature elements of the conquest and rule of Britain by the Roman empire. The study seeks to ascertain how the novels depict Roman imperialism and compare this to contemporary academic theoretical discourse, mainly post-colonialism and its influence on ancient studies and ancient archaeology. In this way, the study shows how the novels reflect British historical culture and the cultural memory of the Roman empire. The study has been conducted with the use of a qualitative text analysis. The results have been compared to the contemporary academic theoretical discussion. The result of this study indicates that historical fiction prior to the 1990s were mostly influenced by terminology and theoretical perspectives that are heavily tied to the 19th century British imperial projects. Postcolonial discourse, introduced in classical studies during the 1990’s, resulted in a change in perspective and the voices of the conquered peoples were considered far more frequently. The Roman imperial perspective was handled with more nuance and criticism. The result also indicates that the literary works, in line with their academic contemporary discourse, relate the discussion of ancient Roman imperialism to modern imperialism, especially British imperialism, thus affecting the British cultural memory and identity.
Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:hj-61310 |
Date | January 2023 |
Creators | nimmersjö, oskar |
Publisher | Jönköping University, Högskolan för lärande och kommunikation |
Source Sets | DiVA Archive at Upsalla University |
Language | Swedish |
Detected Language | English |
Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
Format | application/pdf |
Rights | info:eu-repo/semantics/openAccess |
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