Self-handicapping is a psychological behavior people engage in to protect their self-image, project a desired image to others, and to augment feelings of success and achievement. Self-handicapping occurs when individuals have a positive but uncertain self-image about their competence in an arena of life fundamental to their self-identity. Musicians have been underrepresented in self-handicapping studies; yet the very competitive nature of their education and craft, the strong identification musicians have as musicians, and the frequent challenges during all phases of development to their abilities would suggest they are extremely vulnerable to developing self-handicaps. This dissertation discusses the theoretical components of self-handicapping, the personality traits typically exhibited by high self-handicappers, causes, types, and possible motivations for self-handicapping, short and long term effects of the behavior, and the implications these concepts have to the musician community. In addition, it contains the results of an extensive survey of musicians which examines self-handicapping tendencies, depression, imposter phenomenon, and self-esteem ratings to determine 1) if musicians self-handicap, 2) how the four constructs are related to each other within the musician population, 3) if other factors concerning musicians and self-handicapping are related, 4) areas for future research. Several significant relationships involving the four constructs tested, as well as a significant difference between the self-handicapping behaviors of professional and amateur players were found.
In addition, it contains the results of an extensive survey of musicians which examines self-handicapping tendencies, depression, imposter phenomenon, and self-esteem ratings to determine 1) if musicians self-handicap, 2) how the four constructs are related to each other within the musician population, 3) if other factors concerning musicians and self-handicapping are related, 4) areas for future research. Several significant relationships involving the four constructs tested, as well as a significant difference between the self-handicapping behaviors of professional and amateur players were found.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc862784 |
| Date | 08 1900 |
| Creators | Flowers, Michelle C. |
| Contributors | Kagarice, Vern, Baker, Tony (Trombonist), Bowman, Brian, 1946-, Chesky, Kris S. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vii, 105 pages : illustrations, Text |
| Rights | Public, Flowers, Michelle C., Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: November 17, 2011, ark:/67531/metadc172035, Recital: March 24, 2014, ark:/67531/metadc848741, Recital: April 20, 2015, ark:/67531/metadc1075197, Recital: March 21, 2016, ark:/67531/metadc1614852 |
Page generated in 0.0027 seconds