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A ideologia da encena??o: uma an?lise dos aspectos c?nico/ideol?gicos da encena??o produzida pela ind?stria cultural

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Previous issue date: 2013-04-11 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The research that led to this dissertation adopted a set of scenic/ideological aspects inherent to the productions of the Culture Industry as its object of research. The intellectual output of Theodor W. Adorno and Max Horkheimer underscored the approaches on this subject, since it provides the same set of scenic/ideological features to be explored because, according to the authors, scenes produced by the culture industry are linked to the dominant ideology, since they act in favor of maintaining the status quo. The first objective was the definition this set of features inherent to the scene produced by the culture industry, through the exploration of literature produced by Adorno and Horkheimer, so it was possible to define a set composed of nine elements: Construction of characters as characteristic types; Stereotypes; Naturalization of Stereotyped language; Simplistic playwriting; Reuse dramatic formula; Love and sexuality as themes of plots; Utilization of tragic element; Objetive representation; Approximation of fiction and reality. The second goal was the analysis of scene produced by the culture industry nowadays, so that it was possible to verify if any scenic/ideological aspects indicated by Adorno and Horkheimer in the mid-twentieth century were present among the productions from this beginning of the twenty-first century. Through the analysis of three soap operas produced in Brazil in 2012, it was found that the nine scenic/ideological aspects as indicated by Adorno and Horkheimer appeared in the observed productions. Additionally, a new scenic/ideological feature, not indicated by Adorno and Horkheimer is present: the merchandising / A pesquisa que deu origem a essa disserta??o adotou um conjunto de aspectos c?nico/ideol?gicos, inerentes ? encena??o produzida pela ind?stria cultural, como objeto de investiga??o. A produ??o intelectual de Theodor W. Adorno e Max Horkheimer norteou as abordagens sobre o objeto, providenciando o conjunto de caracter?sticas c?nico/ideol?gicas a ser explorado, pois, de acordo com os autores, encena??es produzidas pela ind?stria cultural est?o atreladas ? ideologia dominante, visto que agem em favor da manuten??o do status quo. O primeiro objetivo proposto consistiu na defini??o desse conjunto de caracter?sticas inerentes ? encena??o produzida pela ind?stria cultural, atrav?s da explora??o de bibliografia produzida por Adorno e Horkheimer, de modo que foi poss?vel definir um conjunto formado por nove elementos: Constru??o de personagens como tipos caracter?sticos; Estere?tipos; Naturaliza??o de linguagem estereotipada; Dramaturgia simpl?ria; Reutiliza??o de f?rmulas dram?ticas; Amor e Sexualidade como temas dos enredos; Utiliza??o do elemento tr?gico; Representa??o objetiva; Aproxima??o de fic??o e realidade. O segundo objetivo consistiu na an?lise de encena??es produzidas pela ind?stria cultural atualmente, a fim de que fosse poss?vel verificar se algum dos aspectos c?nico/ideol?gicos, indicados por Adorno e Horkheimer em meados do S?culo XX, fazia-se presente em meio a encena??es produzidas no in?cio do S?culo XXI. Atrav?s da an?lise de tr?s telenovelas, produzidas no Brasil no ano de 2012, foi poss?vel verificar que os nove aspectos c?nico/ideol?gicos buscados, indicadas por Adorno e Horkheimer, apareceram nas encena??es observadas. Al?m disso, uma nova caracter?stica c?nico/ideol?gica, n?o indicada por Adorno e Horkheimer, se faz presente: o merchandising

Identiferoai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/12456
Date11 April 2013
CreatorsOliveira, Luciana Indaia Perdonsini de
ContributorsCPF:00072387467, http://lattes.cnpq.br/5591762841657455, Okamoto, Eduardo, CPF:28220813873, http://lattes.cnpq.br/6993340849472839, Handerchpek, Robson Carlos, CPF:21589603885, Nunes, Tassos Lycurgo Galv?o
PublisherUniversidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Artes C?nicas, UFRN, BR, LINGUAGENS DA CENA E PEDAGOGIAS DA CENA
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Formatapplication/pdf
Sourcereponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN
Rightsinfo:eu-repo/semantics/openAccess

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