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Miscegenated Narration: The Effects of Interracialism in Women's Popular Sentimental Romances from the Civil War Years

Critical work on popular American women's fiction still has not reckoned adequately with the themes of interracialism present in these novels and with interracialism's bearing on the sentimental. This thesis considers an often overlooked body of women's popular sentimental fiction, published from 1860-1865, which is interested in themes of interracial romance or reproduction, in order to provide a fuller picture of the impact that the intersection of interracialism and sentimentalism has had on American identity. By examining the literary strategy of "miscegenated narration," or the heteroglossic cacophony of narrative voices and ideological viewpoints that interracialism produces in a narrative, I argue that the hegemonic ideologies of the sentimental romance are both "deterritorialized" and "reterritorialized," a conflicted impulse that characterizes both nineteenth-century sentimental, interracial romances and the broader project of critiquing the dominant national narrative that these novels undertake.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc67958
Date05 1900
CreatorsBeeler, Connie
ContributorsFinseth, Ian, Rodriguez, J. Javier, Wisecup, Kelly
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Copyright, Beeler, Connie, Copyright is held by the author, unless otherwise noted. All rights reserved.

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