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John Updike at Work: The Art of Revision in His Early Fiction / ジョン・アップダイクの仕事場-初期小説における改訂の技法

京都大学 / 新制・課程博士 / 博士(文学) / 甲第24341号 / 文博第915号 / 新制||文||730(附属図書館) / 京都大学大学院文学研究科文献文化学専攻 / (主査)教授 森 慎一郎, 准教授 小林 久美子, 教授 廣田 篤彦 / 学位規則第4条第1項該当 / Doctor of Letters / Kyoto University / DGAM

Identiferoai:union.ndltd.org:kyoto-u.ac.jp/oai:repository.kulib.kyoto-u.ac.jp:2433/283460
Date23 March 2023
CreatorsTakebe, Haruki
Contributors竹部, 春樹, タケベ, ハルキ
PublisherKyoto University, 京都大学
Source SetsKyoto University
LanguageEnglish
Detected LanguageEnglish
Typedoctoral thesis, Thesis or Dissertation
Rights学位規則第9条第2項により要約公開, A part of Introduction is derived from ""Two Versions of Martin Amis's Time's Arrow, or the Nature of the Revision"" (Notes and Queries, vol. 68, no. 3, pp. 366-368, August 30, 2021, © 2021 Oxford University Press, available online: http://doi.org/10.1093/notesj/gjab134). Chapter 2 is derived in part from ""The Apocrypha of The Maples Stories: John Updike's Fe/Male Points of View Reconsidered"" (Critique: Studies in Contemporary Fiction, April 12, 2022 © 2022 Taylor & Francis, available online: http://www.tandfonline.com/10.1080/00111619.2022.2063709). A part of Chapter 3 is derived from ""'I'll Get Urinary Impotence': Updike's Double Referencce to Nabokov in 'Bluebeard in Ireland'"" (The John Updike Review, vol. 9, no. 2, 2022). Chapter 4 is derived from ""Olinger Revisited: John Updike Revising His Early Stories"" (The John Updike Review, vol. 8, no. 2, pp. 69-84, 2020).

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