Heinrich Koch completed his treatise in 1793, a pioneering work regarding the musical phrase as well as a sonata form description (lacking that term). Composition of Opus 18 began in 1798, a momentous project for several reasons in Beethoven's early career. Here, the theories expressed in Koch's Versuch are taken as an analytic springboard into a thorough analysis of the first movement of the quartet published no. 3, which was the first composed; additionally, nos. 1 and 6 are explored to a lesser degree. This study in phrase-analysis demonstrates significance in the fundamental ideas of Koch as applied to a masterwork of the turn of the 19th century.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc5427 |
| Date | 12 1900 |
| Creators | Tompkins, Robert |
| Contributors | Heidlberger, Frank, Phipps, Graham Howard |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Tompkins, Robert, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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