This project explores the phenomenon of National Theater in both Argentina and Mexico, specifically reevaluating the former's exemplarity and the latter's "failure." I propose that Fernando Ortiz's notion of contrapunteo is useful when thinking about the tensions found in National Theater, and I deploy this understanding to argue that, contrary to critical opinion, the "frivolous" Mexican theater scene was a key factor in the Mexican Revolution. / Romance Languages and Literatures
Identifer | oai:union.ndltd.org:harvard.edu/oai:dash.harvard.edu:1/11181174 |
Date | January 2013 |
Creators | Politte, Paul Edwin |
Contributors | Sommer, Doris |
Publisher | Harvard University |
Source Sets | Harvard University |
Language | en_US |
Detected Language | English |
Type | Thesis or Dissertation |
Rights | closed access |
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