<p>This essay investigates how the author Oline Stig creates identities for her main characters in three short stories; Midsommar, Polly Maggoo and Den längsta dagen from the collection Den andra himlen (2007).</p><p>My investigation is based on concepts chosen from psychology and narratology: First, Jonas Stier’s definition of human identity. In his definition he focuses on a person’s social context. He also considers identity formation as an ongoing, ever- changing process. Second, Gerard Génette’s and Maria Nikolajeva’s concepts concerning focalization and the perspective and voice of narration.</p><p>My analysis tries to answer the question if the perspective of narration has any effect on the readers understanding for the characters’ processes of identity. I have found that other aspects than the perspectives of narration are more important in portraying a fictional character in these short stories. For example: in one of the stories - Polly Maggoo – narration is part of the identity forming process: the main character is influenced by and portrayed via the stories told by a friend, and later, via the stories she tells another friend about herself.</p><p>The essay also contains a short presentation of Oline Stig and gives a view of the development of the short story-genre in the 1900`s.</p>
| Identifer | oai:union.ndltd.org:UPSALLA/oai:DiVA.org:sh-1498 |
| Date | January 2008 |
| Creators | Segerstedt, Elin |
| Publisher | Södertörn University College, School of Gender, Culture and History, Huddinge : Institutionen för genus, kultur och historia |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, text |
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