In this essay I share my thoughts on painting’s ability to merge and dissolve; the personal and thegeneral, visual and bodily experiences. That a painting carry the property of bleeding throughspatiality’s. I will talk about paintings in our shared environment as bodies in space. Between whatthe painting might refer to and the space the painting's back rests against. The space to enter andthe common body - this in-betweenness of the painting as an object. This is an attempt in text toapproach properties of painting - the activation and archiving of divergent spaces, bodies andsensibilities.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kkh-665 |
| Date | January 2022 |
| Creators | Uddén, Erik |
| Publisher | Kungl. Konsthögskolan |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0021 seconds