This dissertation examines the demonology of William of Auvergne, to determine why and how he constructed his theories out of contemporary lore about demons and other spirits. William was master of theology in the University of Paris and bishop of Paris from 1228 until his death in 1249, in which position he served as a major advisor to the young Louis IX. In addition to being one of the most politically influential people in the French kingdom, William was one of the greatest thinkers of his generation, producing numerous works of theology, philosophy and science. William's efforts combine an adoption of an Aristotelian "physics" for spiritual entities with an uncompromising reaffirmation of the view that demons are evil, fallen angels. He believed that a demonic conspiracy existed to deceive humans into false worship, and his concerns led him to precisely define the capabilities of demons according to the latest scientific views of spirits, to characterize opinions with which he disagreed as demonic lies and to label their holders as demonic dupes. William's demonology represented a choice between several alternative varied and contradictory conceptions of spirits that circulated among the western European populace. With his demonology, he hoped to help impose an order he considered doctrinally and politically-acceptable onto the turbulence of early thirteenth century France.
| Identifer | oai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/195621 |
| Date | January 2006 |
| Creators | de Mayo, Thomas Benjamin |
| Contributors | Bernstein, Alan E, Bernstein, Alan E, Darling, Linda T., Karant-Nunn, Susan |
| Publisher | The University of Arizona. |
| Source Sets | University of Arizona |
| Language | English |
| Detected Language | English |
| Type | text, Electronic Dissertation |
| Rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. |
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