In this paper, the triple goddess portrayed in Maresi: The Red Abbey Chronicles (2014) by Maria Turtschaninoff is analyzed. The paper discusses the female replacement of the all-male trinity in Maresi and how it can be linked to thealogical rewritings of the Bible. Using feministic theory, an analysis is made about how the Maiden, Mother and Crone in Maresi follow or divert from the traditional female archetypes. The biblical intertextuality in the novel is discussed by connecting it to each aspect of the triple goddess. The result is that Maresi is a rewritten version of the Bible, using biblical events and characters to criticize the patriarchy. Turtschaninoff’s portrait of the Maiden, Mother and Crone diverts from the typical female archetypes. This diversion results in a more complex depiction of the woman in literature.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:umu-204429 |
| Date | January 2023 |
| Creators | Otabbong, Emilia |
| Publisher | Umeå universitet, Institutionen för kultur- och medievetenskaper |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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