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Moral of the story? Religious dimensions of the secular and the sentimental in American literary education

Over the last century, Americans have come to understand literature as a powerful tool for shaping individuals and society. Indeed, this perception of literature animates how Americans have and continue to debate what books to include—or exclude—in secondary school curricula. Texts dealing with issues of race, gender, and sexuality have proven especially controversial. This dissertation examines the claims people make about how reading literature can change readers and society through moral lessons. It offers case studies focused on three books that have been celebrated, banned, and taught in terms of their potential to inform readers’ moral and empathetic development: Harper Lee’s To Kill a Mockingbird (1960), Mark Twain’s Adventures of Huckleberry Finn (1884), and Toni Morrison’s Beloved (1987). This dissertation shows how assumptions about literature’s ability to inform a readers’ moral and empathetic development can be better understood in relation to the tradition of sentimental literature—a genre and rhetorical mode of storytelling aimed to promote moral and social reform by evoking certain feelings in readers. The case studies illustrate instances when the didactic rhetorical models of sentimental literature appear as a mode of reading and interpretation, which I refer to as sentimental hermeneutics.
Building on studies of religion, literature, and secularism, this dissertation analyzes the religious dimensions that emerge in the ostensibly secular interpretive methods and ‘universal’ moral frameworks used to teach and interpret these texts. Contemporary sentimental hermeneutics are indebted to an historical synthesis between Christian devotional reading practices and sentimental fiction in the 19th century. The novels examined are at various levels of conformity and dissonance with the rhetorical modes and religious foundations of this sentimental tradition. My study shows how the unacknowledged religious lineage of interpretive and moral frameworks commonly used to teach these books enacts certain religious, social, and ontological exclusions. Each case study outlines limits of sentimental hermeneutics and the analysis of Beloved offers an alternative framework for readerly empathy. By restoring to view the often-hidden religious histories of these reading strategies, this project pushes readers to parochialize the universalizing claims of these ostensibly secular moral messages: it calls for a form of reading that moves past the exclusions of sentimental hermeneutics.

Identiferoai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/48006
Date05 February 2024
CreatorsMartin Fox, Kaitlyn
ContributorsPetro, Anthony, Rambo, Shelly
Source SetsBoston University
Languageen_US
Detected LanguageEnglish
TypeThesis/Dissertation
RightsAttribution-NonCommercial-NoDerivatives 4.0 International, http://creativecommons.org/licenses/by-nc-nd/4.0/

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