Return to search

Reger and Film Music

It is proper that I should begin by admitting that I am only an apprentice Reger-scholar. In planning this invited paper I evertheless learned much about how and why a British Mahler- and Schreker specialist, interested in the music of Hans fitzner and Franz Schmidt, might have remained so inconsistently ignorant of Reger. Setting aside, for the moment, the specific question of film music, what I have learned is clearly of levance to questions about why Reger appears not to ‘travel well’ internationally and about his reception by a UK audience.

Identiferoai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:32335
Date04 December 2018
CreatorsFranklin, Peter
PublisherInternationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig
Source SetsHochschulschriftenserver (HSSS) der SLUB Dresden
LanguageEnglish
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text
Rightsinfo:eu-repo/semantics/openAccess
Relationurn:nbn:de:bsz:15-qucosa2-322867, qucosa:32286

Page generated in 0.1212 seconds