Mário Henrique Leiria is mostly known for his short stories--- Contos do gin tonic and Novos contos do gin---published in the 1970's upon his return to Portugal from a "self-exile" in Brazil that lasted nine years. Little is known of his work composed earlier than 1973. Only some of his poems and drawings were published in anthologies of the Portuguese surrealist movement, together with other short stories. One can say "little is known" of his work in light of the considerable corpus on which the present study is based: poems, plays and short stories, but mostly poems written between 1938 and 1972. It is of utmost importance to mention that the poetic side of this author remains practically unknown to the general public. The objectives of the present dissertation are to bring to light and analyze the dated manuscripts found in the author's archives at the National Library in Lisbon. Due to the fact that Leiria contributed to the surrealist movement in Portugal, and that his surrealist period is his most prolific and aesthetically the most important in his career, this study will be divided into three parts, each of them accounting for one of the poet's three phases, with special emphasis on the second phase: "Leiria's pre-Surrealism", "Leiria's Surrealism", and "Leiria's post-Surrealism". The analysis of the poems comprising each of these phases will demonstrate that the author may be viewed as one of the representatives of literary modernity in Portugal or, more specifically, of the Portuguese vanguard.
| Identifer | oai:union.ndltd.org:UMASS/oai:scholarworks.umass.edu:dissertations-4391 |
| Date | 01 January 2006 |
| Creators | Martuscelli, Tania A |
| Publisher | ScholarWorks@UMass Amherst |
| Source Sets | University of Massachusetts, Amherst |
| Language | Portuguese |
| Detected Language | English |
| Type | text |
| Source | Doctoral Dissertations Available from Proquest |
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