This study will focus on Quentin Tarantino's three most recent films: Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), and Death Proof (2007). These works are significant, in that they present a marked departure from the director's earlier films. Specifically, they offer portrayals of resourceful and powerful female protagonists, in stark contrast to the frequently neglected and marginalized women of Reservoir Dogs (1992) and Pulp Fiction (1994). Buttressed by a mixture of psychoanalytic feminist and postmodern theories, I will perform a careful textual analysis of these latest films. In particular, I intend to uncover the ways in which Tarantino's films support and/or subvert traditionally oppressive conceptions of gender. / by Marc R. Fedderman. / Thesis (M.A.)--Florida Atlantic University, 2009. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.
| Identifer | oai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_3437 |
| Contributors | Fedderman, Marc R., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies |
| Publisher | Florida Atlantic University |
| Source Sets | Florida Atlantic University |
| Language | English |
| Detected Language | English |
| Type | Text, Electronic Thesis or Dissertation |
| Format | viii, 72 p. : ill., electronic |
| Coverage | United States |
| Rights | http://rightsstatements.org/vocab/InC/1.0/ |
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