Atmospheres, events, feelings, every sensation has its own music. And the human being has been highly educated to feel the glamour of them through the hearing sense. We know how a terrifying situation sounds like; what would be the musical accompaniment for a warzone scenario or what is the perfect piece for getting into a state of relaxation. Thanks to music design it has been possible to immerse the spectator into a deeper sensorial perception experience. Users close their eyes, and feel. What if we close our ears, and feel? This thesis aims to transport the qualities of sound that produces feelings into people, to visual values communicated by an approach to architectural lighting design into architectural spaces. A music example is chosen according to the intended emotion to be transposed. It is analysed, evaluated and related to a series of theoretical fundamentals based on visual psychology, human experience, multisensorial connections and lighting design. Laws of correlation are stablished and applied to a case study which ends as a theoretical concept design of an architectural lighting design installation. Closing the document, a statement of guidelines for the conversion of subjective emotional qualities perceived from musical examples is stablished and discussed the use of it in architecture.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kth-220797 |
| Date | January 2018 |
| Creators | Gallardo Yébenes, Daniel |
| Publisher | KTH, Ljusdesign |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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