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The Use of the Tenorhorn and Baryton in the Brass Chamber Music of Oskar Böhme and Victor Ewald: a Lecture Recital, Together with Three Recitals of Selected Works of J. Boda, J. Brahms, G. Jacobs, G. Mahler, T.R. George, J. Castérède, A. Capuzzi and Others

The tenorhorn and baryton (euphonium), as members of the valved conical brass family, were highly regarded by Oskar Böhme (1870-1938) and Victor Ewald (1860-1935). This study examines the role the tenorhorn and baryton played in selected works by these two composers of the Russian Chamber Brass School. A chronology of the research leading to the discovery and naming of the Russian Chamber Brass School is included as well as a discussion on brass chamber music performance practice both then and now.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc332434
Date12 1900
CreatorsWinter, Denis.
ContributorsLittle, Donald C., Brothers, Lester Dwayne, 1945-, Lumpkin, Royce Edgar, 1942-, Sale, Richard, 1930-
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatix, 59 leaves : ill., Text
RightsPublic, Winter, Denis., Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.
RelationLecture recital: ark:/67531/metadc984034

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