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Interrogating Homonationalism in <em>Love, Simon</em>

This thesis examines the portrayal of racial and sexual identities in the film Love, Simon (2018). Love, Simon follows the story of Simon Spier, a white, gay high school student who discovers true love and acceptance from his peers. Many Hollywood entertainment reviewers praised the film for its progressive portrayal of a LGBTQ romance between teenage characters. At the same time, Love, Simon uses Black characters to re-center Simon to show that Whiteness can rehabilitate queerness. I use Jasbir K. Puar’s (2007) idea of homonationalism- LGBTQ rights discourse privilege white gay men while conversely decentering Black and Brown (queer) people- and postracism as organizing frameworks for this thesis project. I ask: how might homonationalism create new understandings of how Love, Simon portrays race and sexuality? What are the costs of the film including some bodies while isolating and disadvantaging others?

Identiferoai:union.ndltd.org:USF/oai:scholarcommons.usf.edu:etd-9098
Date21 March 2019
CreatorsRauchberg, Jessica S.
PublisherScholar Commons
Source SetsUniversity of South Flordia
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceGraduate Theses and Dissertations
Rightsdefault

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