The aim of this research is to investigate cultural conflicts in Northern Sotho dramas.
At the beginning of the work, reasons for the choice of the topic are given, and
thereafter, the methodology to be adopted in analysing the plays is outlined. Various
factors considered to be contributory to the acculturation of traditional Africans are
discussed.
Throughout this study, traditionalists oppose westernised Africans because of strange
norms and practices they have adopted. The two parties disagree on issues like
arranged marriage, remarriage and leadership. Christianity features prominently as the
basic cause of conflict. Modernists oppose traditional practices on the ground that they
are not in conformity with Christian principles.
The plays are compared to determine how each playwright has attempted to resolve
conflicts in his respective play. The study ends with a comment on findings where
traditionalism, being a common enemy in the three plays, is overridden by modernity. / African Languages / M.A. (African Languages)
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:unisa/oai:uir.unisa.ac.za:10500/17286 |
| Date | 06 1900 |
| Creators | Madiga, Raofa Philemon |
| Contributors | Bopape, M. L. (Malekutu Levy), Serudu, M. S. |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Dissertation |
| Format | 1 online resource (vii, 149 leaves) |
Page generated in 0.0029 seconds