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Previous issue date: 2012-05-25 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Since the 1970s, the world observes the fragmentation, hybridity, plurality and
miscegenation that are taking over the scenic arts. The contemporary poetry feels
free of the classical rules; theater no longer obeys the requirements of the poetic
"manuals"; the rigid boundaries between genres disappears; artists cease to
represent to the public to talk with him. In the last decades of twentieth century and
in the twenty-first century, emerges the laughable phenomenon of One-man Show in
the brazilian scene, object of this research, as a result of this evolution of the
performing arts. It is a form of theater that emerged in the brazilian context, snatching
public attention in alternative spaces, theaters and, as it should be, also on the
Internet, often confused with the Stand-up Comedy. It is necessary a research that
delimitate and pursue to identify the essential characteristics of the brazilian One-
Man Show, not only by the absence of theoretical references concerning this, but
also to understand some aspects of the brazilian scene and the situation of laughter
and comedy in it. In the first chapter, a discussion about comedy and laughter in
classical antiquity is presented, using the writings of Plato and Aristotle as a starting
point; in the second, some of the main classical theories of laughter are reviewed,
attempting to identify the general characteristics that enable to understand the
construction of the comedy; the third chapter generally dicusses about the moment of
the brazilian theatrical scene in which emerges the One-man Show; and in the fourth
chapter, there is an explanation about this phenomenon and a description of the
practical exercise titled Experimento One-person Show: Damas / Desde a d?cada de 1970, o mundo observa a fragmenta??o, o hibridismo, a
pluralidade e a miscigena??o que v?m tomando conta das artes da cena. A poesia
contempor?nea sente-se livre das regras cl?ssicas; o teatro j? n?o mais obedece ?s
prescri??es dos manuais po?ticos; desaparecem as fronteiras r?gidas entre os
g?neros; os artistas deixam de representar para o p?blico para dialogar com ele.
Como consequ?ncia dessa evolu??o das artes c?nicas, emerge nas ?ltimas d?cadas
do s?culo XX e in?cio do s?culo XXI na cena brasileira o fen?meno derris?vel objeto
de estudo dessa pesquisa, o One-man Show. Trata-se de um formato teatral que
despontou no cen?rio brasileiro arrebatando a aten??o do p?blico em espa?os
alternativos, teatros e, como n?o poderia deixar de ser, tamb?m na internet, sendo
muitas vezes confundido com o Stand-up Comedy. Uma pesquisa que delimite e
busque identificar as caracter?sticas fundamentais do One-man Show brasileiro, fazse
necess?ria n?o somente pela aus?ncia de estudos sobre o referido assunto, mas
tamb?m para se compreender alguns aspectos da cena brasileira e da situa??o do
riso e do c?mico dentro dela. No primeiro cap?tulo, apresenta-se uma discuss?o
sobre a com?dia e o riso na Antiguidade cl?ssica, tomando os escritos de Plat?o e
Arist?teles como ponto de partida; no segundo, s?o analisadas algumas das
principais teorias cl?ssicas do riso procurando identificar caracter?sticas gerais que
permitam entender tamb?m a constru??o da comicidade; no terceiro, aborda-se de
um modo geral o momento da cena teatral brasileira em que emerge o One-man
Show e, no quarto cap?tulo, h? a explana??o acerca de tal fen?meno e a descri??o
do exerc?cio pr?tico intitulado Experimento One-person Show: Damas
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/12447 |
| Date | 25 May 2012 |
| Creators | Xavier, Rodrigo C?sar do Nascimento |
| Contributors | CPF:88475190472, http://lattes.cnpq.br/9638277622683373, Cruz, Adriano Charles da Silva, CPF:00860006409, http://lattes.cnpq.br/3052471951752715, Rabetti, Maria de Lourdes, CPF:85145742720, http://lattes.cnpq.br/8036385831406537, Cavalcante, Alex Beigui de Paiva |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Artes C?nicas, UFRN, BR, LINGUAGENS DA CENA E PEDAGOGIAS DA CENA |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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