The purpose of this thesis is to recount the creative process of designing thecostumes for Temple University’s Spring 2024 production of Pippin. The process begins
with the assignment of the production and follows the development of design concepts
and throughlines using script analysis. Research and meetings that further influenced the
author’s final designs are also discussed. In the second half of the thesis, the process
explores unexpected challenges that arose including severe budget cuts, limited sourcing
options, and dress rehearsals. The process ends with a reflection from the author about
her time at Temple as a graduate student. / Theater
| Identifer | oai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/10330 |
| Date | 05 1900 |
| Creators | Guillen, Dinorah |
| Contributors | Chiment, Marie, Norris, Jason, Ingram, David |
| Publisher | Temple University. Libraries |
| Source Sets | Temple University |
| Language | English |
| Detected Language | English |
| Type | Thesis/Dissertation, Text |
| Format | 124 pages |
| Rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/ |
| Relation | http://dx.doi.org/10.34944/dspace/10292, Theses and Dissertations |
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