Made available in DSpace on 2015-04-14T13:39:18Z (GMT). No. of bitstreams: 1
462117.pdf: 6677233 bytes, checksum: c13c2a26c0e2f4d73c7eb0b4395ad0c6 (MD5)
Previous issue date: 2014-08-18 / This thesis has as its object of study song-poems, an oral poetic expression of Helv?cia Quilombo, located in the extreme south of Bahia. These song-poems, built from intersubjective experiences and voiced by black women singers, sometimes are answers and sometimes are questions about the historical, social-affective and confrontations of everyday life circumstances. To register, to describe and to analyze these poetic expressions that deal with the representation of African heritage, their identities, resignifications and resistance constitute the guiding objectives of this thesis. These song-poems, as a poetic instrument of struggles and of sacred celebrations, are able to activate memories of a lived and narrated time. When voiced by these specific singers to the beat of the lying drum, such poems take shape, rhythm and meaning in the performances of bate-barriga, of embarreiro, in the litanies by presenting ancestral stories, praises and prayers, conflict, love and work. Contextually, the song-poems illustrate the meaning of the voice in Helv?cia, negotiations, discussions and struggles for citizenship and freedom from Cologne Leopoldina, an allotment established in 1818 and from which Helv?cia Quilombo has its origin. It is highlighted in this thesis, the role that the song-poem reveals, from its poetic discourses and social voices related to Helv?cia, its history and its people, and its outstanding importance in the maroon recognition process. This thesis promotes a direct dialogue between the discourses of such women singers and the theoretical basis and has culminated with a production of a dvd to demonstrate the performance so important to the poetic of these women singers of Helv?cia and the transcription of every song-poem voiced by them, important to mention for the first time recorded. The results of this research and the analyzes that support this thesis dialogue with the conception of otherness proposed by Bakhtin; with the theories of the living tradition, according to Hamp?t? B?; the presence of voice and poetic orality in Paul Zumthor; the literalization of orality in Jean Derrive; concept of narrator and story in Walter Benjamin and, Walter Ong and the psychodynamics of orality. / Esta tese tem como objeto de estudo os cantos-poemas, uma express?o po?tica oral do quilombo de Helv?cia, no Extremo Sul da Bahia. Estes cantos-poemas, constru?dos a partir de experi?ncias intersubjetivas, e vocalizados pelas negras cantadoras, ora s?o respostas, ora s?o questionamentos ?s circunst?ncias hist?ricas, socioafetivas e aos confrontos da vida cotidiana. Registrar, descrever e analisar essa po?tica no que traz de express?es que lidam com a representa??o da heran?a africana, suas identidades, ressignifica??es e resist?ncia se constituem objetivos norteadores dessa tese. Os cantos-poemas, como instrumento po?tico, de lutas e de celebra??es sagradas, acionam mem?rias do tempo vivido e do contado. Tais cantos-poemas, quando vocalizados pelas cantadoras ao toque do tambor deitado, ganham corpo, ritmo e significa??o nas performances do bate-barriga, do embarreiro, nas litanias, ao explicitarem hist?rias ancestrais, louvores e ora??es, conflitos, amores e trabalho. Contextualmente, os cantos-poemas ilustram o sentido da voz em Helv?cia, negocia??es, reflex?es e lutas pela cidadania e pela liberdade desde a Col?nia Leopoldina, uma sesmaria constitu?da em 1818 e da qual se originou o atual Quilombo de Helv?cia. Destaca-se nessa tese, o papel que o canto-poema revela, a partir de seus discursos po?ticos e vozes sociais, em rela??o a Helv?cia, sua hist?ria e sua gente, e a sua devida import?ncia no processo de reconhecimento quilombola. Esta tese, no percurso da escrita, promove um di?logo direto entre os discursos das mulheres cantadoras e o aporte te?rico, assim como culminou com a produ??o de um dvd, para demonstrar a performance t?o importante a po?tica das mulheres cantadoras de Helv?cia e a transcri??o de todos os cantos-poemas por elas vocalizados, importante destacar registrados pela primeira vez. Os resultados da pesquisa e as an?lises que sustentam esta tese dialogam com a concep??o de alteridade, proposta por Bakhtin; com as teorias da tradi??o viva, segundo Hamp?t? B?; a presen?a da voz e oralidade po?tica, em Paul Zumthor; literaliza??o da oralidade em Jean Derrive; conceito de narrador e hist?ria, em Walter Benjamin e, em Walter Ong, a psicodin?mica sobre a oralidade.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/2177 |
| Date | 18 August 2014 |
| Creators | Santana, Gean Paulo Gon?alves |
| Contributors | Hohlfeldt, Antonio Carlos |
| Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Letras, PUCRS, BR, Faculdade de Letras |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 8447345070736321569, 500, 600, -2856882280194242995 |
Page generated in 0.0023 seconds