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存有與虛無之間: 當代抽象繪畫的新意義 = In between being and nothingness : new significance of contemporary abstract painting. / 當代抽象繪畫的新意義 / In between being and nothingness: new significance of contemporary abstract painting / Cun you yu xu wu zhi jian: dang dai chou xiang hui hua de xin yi yi = In between being and nothingness : new significance of contemporary abstract painting. / Dang dai chou xiang hui hua de xin yi yi

文鳳儀. / 論文 (藝術碩士)--香港中文大學, 1999. / 參考文獻 (leaves [1-3] (3rd group)). / 附中英文摘要. / Wen Fengyi. / Lun wen (yi shu shuo shi)-- Xianggang Zhong wen da xue, 1999. / Can kao wen xian (leaves [1-3] (3rd group)). / Fu Zhong Ying wen zhai yao. / “抽象´ح是非語言所能描述的空間,接近無言。 --- p.1 / """Representation""(呈現)一字的意涵" --- p.5 / 正文 / Chapter 第一章 --- 呈現物本身´ؤ´ؤ抽象繪畫的本質 --- p.6 / Chapter (一) --- 從語意上詮釋“抽象´ح的意義 --- p.6 / Chapter (二) --- 從哲學上詮釋“抽象繪畫´ح --- p.7 / 看,就是這樣! --- p.7 / 第三眼:觸動的眼睛 --- p.8 / 抽象主義的現實思考 --- p.9 / Chapter 第二章 --- 呈現的過程及狀況 --- p.14 / 從抽象繪畫藝術的歷史演變解讀 --- p.14 / Chapter 第三章 --- 存有與虛無之間 --- p.18 / Chapter (一) --- 虛空´ؤ´ؤ轉變、轉化的隱喻 --- p.20 / Chapter (二) --- 繪畫與工藝間的游移 --- p.23 / Chapter (三) --- 挪用與虛擬間的玩弄性質 --- p.27 / Chapter (四) --- 新科技等中介物的切入 --- p.32 / 結語 --- p.34 / 片斷的總和≠整體 --- p.34 / 新意義的意義 --- p.34 / “之間´ح的契機 --- p.35 / 參考資料 --- p.37 / 圓錄 --- p.1-30

Identiferoai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_322568
Date January 1999
Contributors文鳳儀 , 1968-, Chinese University of Hong Kong Graduate School. Division of Fine Arts., Wen, Fengyi , 1968-
Source SetsThe Chinese University of Hong Kong
LanguageChinese, English
Detected LanguageEnglish
TypeText, bibliography
Formatprint, [4], 37, [31] leaves : col. ill. ; 30 cm. + 20 slides.
RightsUse of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/)

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