Return to search

As mulheres no cinema de Pedro Almodóvar Caballero e a reinvenção do melodrama hollywoodiano

Submitted by Eliana Barboza (eliana.silva1@mackenzie.br) on 2018-03-08T18:35:19Z
No. of bitstreams: 2
Rosângela Donizete Canassa.pdf: 19435464 bytes, checksum: cb385e3376d9ebb5800c4d99fd280b72 (MD5)
license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Paola Damato (repositorio@mackenzie.br) on 2018-04-04T11:43:14Z (GMT) No. of bitstreams: 2
Rosângela Donizete Canassa.pdf: 19435464 bytes, checksum: cb385e3376d9ebb5800c4d99fd280b72 (MD5)
license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-04-04T11:43:14Z (GMT). No. of bitstreams: 2
Rosângela Donizete Canassa.pdf: 19435464 bytes, checksum: cb385e3376d9ebb5800c4d99fd280b72 (MD5)
license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Previous issue date: 2018-01-30 / Universidade Presbiteriana Mackenzie / The present thesis "Women in the Pedro Almodóvar Caballero’s cinema and the reinvention of Hollywood melodrama" investigates the cinematographic work of the Spanish director and the reinvention of classic Hollywood melodrama as the called woman´s film of Douglas Sirk. The Spanish filmmaker provoked a reconfiguration of the cinematographic genre and with its insights shifts the social role of the woman from its conventional place in the cinema. The research also allows to establish the debate in the field of Psychoanalysis with the formulations of Sigmund Freud, Georges Bataille, Judith Butler, E. Ann Kaplan and Laura Mulvey around the melodramatic personages and their internal conflicts. The melodrama is renewed from its ironic forms and the appropriation of intertextuality, of the dialogue with the own cinema, works of art, literature, music and dance incorporating them to its narratives and imprinting its authorial mark. / A presente tese “As mulheres no cinema de Pedro Almodóvar Caballero e a reinvenção do melodrama hollywoodiano” investiga a obra cinematográfica do diretor espanhol e a reinvenção do melodrama clássico hollywoodiano como os filmes de mulher de Douglas Sirk. O cineasta espanhol provocou uma reconfiguração do gênero cinematográfico e com seus insights desloca o papel social da mulher do seu lugar convencional no cinema. A pesquisa permite também estabelecer o debate no campo da Psicanálise com as formulações de Sigmund Freud, Georges Bataille, Judith Butler, E. Ann Kaplan e Laura Mulvey em torno dos personagens melodramáticos e seus conflitos internos. Renova-se o melodrama a partir de suas formas irônicas e a apropriação da intertextualidade, do diálogo com o próprio cinema, as obras de arte, a literatura, a música e a dança incorporando-as às suas narrativas e imprimindo a sua marca autoral.

Identiferoai:union.ndltd.org:IBICT/oai:tede.mackenzie.br:tede/3493
Date30 January 2018
CreatorsCanassa, Rosângela Donizete
ContributorsAraujo, Paulo Roberto Monteiro de, Ramos, Rosangela Patriota, Hidalgo, João Eduardo, Nascimento, José Leonardo do, Davino, Gláucia Eneida
PublisherUniversidade Presbiteriana Mackenzie, Educação, Arte e História da Cultura, UPM, Brasil, Centro de Educação, Filosofia e Teologia (CEFT)
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis
Formatapplication/pdf
Sourcereponame:Biblioteca Digital de Teses e Dissertações do Mackenzie, instname:Universidade Presbiteriana Mackenzie, instacron:MACKENZIE
Rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/, info:eu-repo/semantics/openAccess

Page generated in 0.0024 seconds