In literary trauma theory, victimized victimizers represent an ambiguous area. In my thesis, I show how Perry Smith, a historical figure in Truman Capote's In Cold Blood, and Josef Kavalier, a fictional character in Michael Chabon's The Amazing Adventures of Kavalier & Clay, represent these ambiguities. Both men become murderers acting out violence that was inflicted upon them as children. However, only Kavalier seems to work through the trauma.
| Identifer | oai:union.ndltd.org:BGMYU2/oai:scholarsarchive.byu.edu:etd-1591 |
| Date | 13 July 2005 |
| Creators | Jeo, Noella |
| Publisher | BYU ScholarsArchive |
| Source Sets | Brigham Young University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | http://lib.byu.edu/about/copyright/ |
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