This thesis emerges from and responds to certain recent philosophical writings on conceptual art, in particular from the British analytic tradition. Having identified a recent tendency implicit within this tradition towards an increasingly phenomenological reading of the ontology of the conceptual artwork, I aim to develop such ideas through an analysis of Heidegger's theory of art, and through a subsequent enquiry into its applicability to conceptual art. This will involve a lengthy analysis of several conceptual artworks on the basis of this theory. The thesis consists of three substantive chapters. The first is a critical examination of certain recent philosophical texts on conceptual art. This chapter takes a series of philosophical texts representing a range of positions with regards to both the specific role and, by virtue, the significance accorded to the material in the constitution of the conceptual artwork. The second chapter looks at Heidegger's phenomenological enquiry into the ontology of the artwork, and specifically at the role of the concepts of Earth and World in this ontology. On the basis of this study of Heidegger, the third chapter engages with a range of conceptual artworks. Each artwork is shown to exemplify a general tendency of conceptual artworks to explore of the bounds of the artwork as such and its relation to its context.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:589096 |
| Date | January 2013 |
| Creators | Sutherland, Zoë Dominique |
| Publisher | University of Sussex |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://sro.sussex.ac.uk/id/eprint/47228/ |
Page generated in 0.0019 seconds