It is the purpose of this thesis to explore the different principles of mask performance in modern theatre and the unique relationship it allows the actor to develop with an audience. The author uses exercises from her training experience with different mask artists such as Teatro Punto, Familie Floz, Torbjorn Alstrom, and Marcello Bartoli. These exercises document a process of training the body in preparation for the mask, how to perform with mask, and how to connect with an audience. The mask is used as a tool to discover an engagement of work that activates both body and imagination of the performer as well as the observer.
| Identifer | oai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-2699 |
| Date | 27 April 2009 |
| Creators | Bernard, Rebecca |
| Publisher | VCU Scholars Compass |
| Source Sets | Virginia Commonwealth University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | © The Author |
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