The introduction of plus-size models in high fashion has been a highly discussed topic in recent years. Plus-size female models are slowly breaking their way through the boundaries of fashion’s standard for thinness and this can be observed through their visibility within major runway shows. However, this change does not seem as prevalent within high fashion menswear shows since plus-size men are barely being included. Nevertheless, plus-size men exist and fashion can no longer choose to ignore them as they deserve to be acknowledged and represented. Therefore, the purpose of this thesis is to include the plus-size male body within the scope of fashion. A multimethodological approach, combining critical visual analysis, semi-structured interviews and critical theory by Susan Bordo, Michel Foucault and Pierre Bourdieu are used as a way to examine to what extent plus-size men are being included in high fashion, and how this influences the field of fashion. The outcome of the visual analysis reveals that there is still a large lack of inclusion of plus-size men. Furthermore, the field analysis reveals that there is an imbalance within the current field of fashion, and this is one of the main reasons why there is a lack of inclusion of plus-size men within (high) fashion.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:su-222156 |
| Date | January 2023 |
| Creators | Asare, Daniëlla |
| Publisher | Stockholms universitet, Modevetenskap |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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