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Previous issue date: 2015-02-13 / O presente trabalho tem como objetivo relatar o processo de prepara??o para a execu??o da
?Cantata Para Louvor e Gl?ria?, composta em 1985, pela compositora Cleide Dorta
Benjamim (1936 - ), visando antecipar para futuros regentes, cantores e instrumentistas, as
poss?veis dificuldades encontradas e enfrentadas. Inicialmente, atrav?s de uma breve
apresenta??o da obra, s?o abordadas quest?es relacionadas ao texto escolhido, bem como a
sua estrutura e import?ncia no processo composicional. Mais ? frente, s?o analisadas,
identificadas e propostas resolu??es para as dificuldades existentes do ponto de vista das
execu??es, vocais e instrumentais, e do gestual aplicado ? reg?ncia, sendo abordado,
detalhadamente, cada movimento que comp?e a obra. O trabalho tamb?m apresenta um
memorial que descreve todo o processo pr?tico de prepara??o da Cantata: reedi??o da
partitura; sele??o e perfil dos cantores e instrumentistas; os ensaios; modifica??es e
adequa??es na partitura; e uma breve entrevista com quatro cantores e dois instrumentistas
que participaram do processo. A intera??o com a compositora, durante parte significativa do
trabalho, traz uma marcante amplia??o dos poss?veis esclarecimentos e desenvolvimento das
ideias, potencializando uma execu??o coerente da obra. / This study aims to document the preparation process for the implementation of "Cantata To
Praise and Glory"(Cantata Para Louvor e Gl?ria), composed in 1985 by composer Cleide
Dorta Benjamin (1936 - ), in order to anticipate and address the possible difficulties faced
by future conductors, singers and instrumentalists. Issues that relate to the chosen text as well
as its structure and importance in the compositional process, are initially addressed through a
brief presentation of the work. Consequently, by addressing every detail of the work,
solutions to vocal and instrumental execution difficulties, as well as with the conducting
gesture, are analyzed, identified and proposed. The work also presents a report that describes
all the practical processes of preparation of the Cantata: reissue of the score; selection and
profile of singers and instrumentalists; rehearsals; changes and adjustments to the score; and a
brief interview with four singers and two musicians who participated in the process. The
interaction with the composer throughout a significant part of the work, brings a notable
increase of possible clarifications and idea development, enabling a coherent performance of
the work.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/20082 |
| Date | 13 February 2015 |
| Creators | Vieira, Ger?nimo Brito |
| Contributors | 38669595400, http://lattes.cnpq.br/3225501994217880, Cesetti, Durval da N?brega, 69579750106, http://lattes.cnpq.br/6872751996178006, Almeida, Nelson Cavalcanti de, 10485171449, http://lattes.cnpq.br/6234873931745961, Oliveira, Andr? Luiz Muniz |
| Publisher | Universidade Federal do Rio Grande do Norte, PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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