Pieter Bruegel the Eider's paintings De verkeerde wereld, Het gevecht tussen Karnava/ en Vasten,
Luilekker/and, Dulle Grief and Landschap, met Icarus' val are interpreted as sixteenth-century parodies
using the paradoxia epidemica as a tropic means for interpreting the artist's wit, irony, parody and
picaresque stance towards his source material and his milieu. Where applicable, other works relating to a
particular argument are also discussed. As a result of this investigation, an original contribution has been
made in the literature on both Bruegel and parody as a form of visual communication. / Art History, Visual Arts & Musicology / M.A. (History of Art)
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:unisa/oai:umkn-dsp01.int.unisa.ac.za:10500/17930 |
| Date | 01 1900 |
| Creators | Cornew, Clive |
| Contributors | Mare, Estelle Alma, Van den Berg, D. J. (Dirk Johannes), 1945- |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Dissertation |
| Format | 1 online resource (xii, 380 leaves) : illustrations (some color) |
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