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The Sandman

The Sandman is a feature-length screenplay adaptation of E. T. A. Hoffmann’s short story "Der Sandmann." The screenplay re-imagines the story as a contemporary horror film with surrealist underpinnings. The script draws heavily on the gothic tradition. It also draws on the German Romantic tradition out of which Hoffmann writes. The theoretical structure of the screenplay owes a great deal to Sigmund Freud’s ideas about the "uncanny" and concerning the Oedipus complex, the repetition-compulsion, and the death-drive. I do not hold slavishly to these theories so much as use them as points of
departure.

The story: the young Nathan discovers one day that the Sandman is not a fairytale but a very real creature seemingly bent on his destruction. After abusing Nathan and causing the death of his Father, the Sandman disappears, only to return as Nathan moves away from home to begin his studies at university. Nathan, already haunted by the events of his childhood, spirals further and further into madness.

The screenplay is followed by two informal essays concerning the approach taken to the construction of the text.

  1. http://hdl.handle.net/1993/112
Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:MWU.1993/112
Date18 April 2005
CreatorsBall, Jonathan
ContributorsToles, George (English), Cooley, Dennis (English) Eyland, Cliff (School of Art)
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
Languageen_US
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation

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