This dissertation is divided into six chapters. The first chapter explains the purpose and significance of the study. The second chapter presents an analysis about Wanderer Fantasy, D.760 composed by Schubert, employing Schenker analysis to elucidate important motives. Chapter 3 provides an analysis of Schubert-Liszt, Wanderer Fantasy for Piano and Orchestra, S. 366 and shows how Liszt transcribed the original to emphasize certain motives, and further, describes the development of the piano history. Chapter 4 delves into an analysis of Schubert-Liszt, Wanderer Fantasy for Two Pianos, S. 653a transcribed by Franz Liszt and further explains the historic development of piano, in particular Érard's grand piano. Chapter 5 explains the analysis of Schubert-Liszt, Wanderer Fantasy for Piano Solo, S.565a and expands upon Érard's grand piano. Finally, Chapter 6 leads to this paper's summary and conclusion.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1833496 |
| Date | 08 1900 |
| Creators | Kwon, Jin Ah |
| Contributors | Romero, Gustavo, Jackson, Timothy L., Beckman, Bradley |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vii, 38 pages : music, Text |
| Rights | Public, Kwon, Jin Ah, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Recital: October 1, 2014, ark:/67531/metadc948602, Recital: October 3, 2015, ark:/67531/metadc1157388, Recital: April 11, 2016, ark:/67531/metadc1614945, Lecture recital: April 7, 2021, ark:/67531/metadc1820974 |
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