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First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions

The objective of this dissertation is to review the discrepancies between Concert Sans Orchestre and Grande Sonate edited by Ernst Herttrich, Grosse Sonate No.3 Op.14 Erste and Zweite Ausgabe edited by Clara Schumann of Robert Schumann's No.3 Op.14, providing assistance for performers by clarifying inconsistencies between the three editions. Information in reference to major aspects such as notes, rhythms, metronome marking and expression signs is presented. Examples of discrepancies found throughout the first movement are discussed in Chapter 3. Suggested solutions are followed by each example.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1157568
Date05 1900
CreatorsWang, Xiao (Pianist)
ContributorsPaul, Pamela Mia, Beckman, Bradley, Wodnicki, Adam
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formativ, 42 pages : music, Text
RightsPublic, Wang, Xiao (Pianist), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.
RelationRecital: March 25, 2013, ark:/67531/metadc172167, Recital: February 28, 2014, ark:/67531/metadc983973, Recital: November 14, 2014, ark:/67531/metadc948641

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