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Collaborating Outside the Lines: Creating a Movement Vocabulary for the Stage

What is the role of a movement director in the American Theatre? Why is it vital for a movement vocabulary to be considered when creating theatre? This thesis analyzes the process of collaboration in educational and professional theatre settings. It attempts to show that through collaboration with a director of a piece of theatre, a movement director can help guide a theatrical event to a fully embodied performance that serves the text and fully forms a director’s aesthetic.

Identiferoai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-6442
Date01 January 2018
CreatorsSeals, Wesley S
PublisherVCU Scholars Compass
Source SetsVirginia Commonwealth University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceTheses and Dissertations
Rights© The Author

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