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Previous issue date: 2017-12-04 / O presente Trabalho aborda quest?es interpretativas a respeito de 3 obras para trombone solista do Maestro Duda, com o objetivo de sugerir subs?dios que auxiliem no desenvolvimento dos procedimentos de prepara??o e execu??o das pe?as. As obras aqui estudadas s?o: Duas Dan?as (Gizelle e Marquinhos no Frevo), Fantasia para Trompete e Trombone, e Su?te Monette. Dentre as principais caracter?sticas dos trabalhos composicionais do Maestro Duda, podemos destacar a utiliza??o de g?neros musicais da cultura brasileira, por?m, poucos s?o os trabalhos acad?micos que abordam quest?es sobre a interpreta??o deste tipo de m?sica. Este fato foi o que nos impulsionou a realizar uma investiga??o buscando evidenciar os principais aspectos interpretativos dos g?neros utilizados pelo Maestro Duda. Foi realizada uma entrevista semiestruturada com o compositor, objetivando compreender sobre as diversas quest?es referentes ?s Obras e sua carreira musical. Desta forma, o trabalho encontra-se divido em 3 partes: a primeira, cont?m informa??es sobre a carreira musical do compositor, produ??o art?stica e atualiza??o do cat?logo de composi??es para forma??es de instrumentos de metais; a segunda, aborda, de um modo geral, quest?es a respeito da interpreta??o; e a terceira parte, trata dos g?neros musicais utilizados pelo compositor al?m de conter sugest?es interpretativas para o trombonista nas Obras estudadas. / The present work deals with interpretative questions about 3 works for soloist trombone of Maestro Duda, with the objective of suggesting subsidies that aid in the development of the procedures of preparation and execution of the pieces. The works studied here are: Two Dances (Gizelle and Marquinhos in Frevo), Fantasia for Trumpet and Trombone, and Monette Suite. Among the main features of Maestro Duda's compositional works, we can highlight the use of musical genres of Brazilian culture, however, there are few academic works that deal with questions about the interpretation of this type of music. This fact was what prompted us to carry out an investigation seeking to highlight the main interpretative aspects of the genres used by Maetro Duda. A semi - structured interview was conducted with the composer, aiming to understand the various issues concerning the works and his musical career. In this way, the work is divided into 3 parts: the first contains information about the composer's musical career, artistic production and updating of the catalog of compositions for formations of metal instruments; the second addresses in general questions about interpretation; and the third part, deals with the musical genres used by the composer, besides containing interpretative suggestions for the trombonist in the works studied.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/24614 |
| Date | 04 December 2017 |
| Creators | Lima, Marlon Barros de |
| Contributors | 36855235468, Ferreira, Alexandre Magno e Silva, 71552510468, Cunha, Germanna Fran?a da, 51886928487, Farias, Ranilson Bezerra de |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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